a flickery second

from Cormac McCarthy, The Orchard Keeper (1965)

Shielding the flame with his hands he lit the cigarette, then dropped the dying match over his elbow into the slipstream boring past the open windwing and took the wheel once more, exhaling luxuriously and repocketing the matches. He waited.

Say, old buddy, I wonder if I could get a . . . why thanks, thank ye.

The match scratched and popped. Sylder meditated in the windshield the face of the man cast in oragne and black above the spurt of flame like the downlidded face of some copper ikon, a mask, not ambiguous or inscrutable but merely discountenanced of meaning, expression. In the flickery second in which Sylder's glance went to the road and back the man's eyes raised to regard him in the glass, so that when Sylder looked back they faced each other over the cup of light like enemy chieftains across a council fire for just that instant before the man's lips pursed, carplike, still holding the cigarette, and sucked away the flame.